The Borderland (Recessive Gene)

Joshua Silavent
9 min readApr 26, 2023

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Reporter’s Note: This is journalism in verse, an example of what I call my “reportorial poetry.”

Mother, Father and Daughter on the Mexican side of the border visit with little one’s abuela, who lives on the American side of Nogales. Unable to cross the border, the family watches each other grow through fence slats.

Part I — This Side of the Border

A slap, a rock to the door

opens mother’s eyes, swept behind

the rotting wood planks

of a front porch and four walls

with a blue tarp for a roof,

the tilt in the living room where

children feed children

into the molded bathroom where

the faucet drips all night

to the bedroom a step across the lip

of nails coming loose as lips lock:

a man swings into the home, an interpreter,

a paid interloper;

drops a crumpled yellow slip

of paper, a notice, a date — barks –

Don’t Be Late.

Prelude

(he was licensed to translate by the courts

and hired by the owner to clear out

this immigrant home before the fines + fees

and city’s attorneys evicted the slumlord

himself)

Mother visited The Center, pregnant daughter

present to recount the night in English.

She handed me a photocopy, a letterhead of owner apologies

before speaking her first word, a child, she still was

mimicking what she’d seen on TV

about how to communicate

with the body, the face,

with hands and feet,

neck and waist …

the letter prepped tenants

for the city’s targeted strikes

on the Lord of House Pets,

and families stuck in rent, like this family,

like two-thirds of in-town residents,

poor whites and blacks, equal

in their misplaced shame,

and first-generation immigrants

from Mexico, El Salvador, Guatemala,

the disparate colored speech stitched

by work together as field and factory hands

in the Poultry Capitol of the U.S.A.,

and by the economics of paying “market rate”

on a “substandard unit.” All the pols thought

it was about time to clean up these decayed

neighborhoods. But no thought about the price

of clearing ruins, memories, and the fallout,

which the council called a tradeoff,

that would come alongside the repairs

as exiles stood in for re-housing.

So,

these renovations really began the shift

to open midtown for “mixed-use” investment

and development, which the public applauded,

‘Oh, how nice!’ at their own expense

even as their neighbors moved on,

the reasons known, propelled

by the gathering of riches

and everyone just shaking their heads,

saying, ‘Ain’t it a shame. A pity.

But what to do?’

Overture

(but a former sheriff’s deputy turned

activist, her name not important, she said,

castigated the landlord and his attorney

outside the courtroom for running eviction

proceedings on the family, even

if the city was forcing his hand with threats

and a largesse of demands.

The former deputy, she said, “You’re giving

this family an extra month to stay

and figure out where they’ll sleep next …

we know what you did, and if you don’t agree to this,

then we’ll take the case before the judge.”

Well,

the landlord doesn’t mind trouble — that’s his business,

after all — but some trouble isn’t worth it. Even he knew

meritocracy is a sham, so the wealthiest attorney

around, known for public monologues

at the council podium, always airing his stature

and wearing his state around his neck,

was shown what’s it like when someone

won’t take his or his client’s shit

and how fairness works

when contracts are cut up, spat on.

This was his chance to be the gatekeeper,

and take the keys from those paying

for need

but he was shown

his own needs through the reflection

of the glasses on his surprised frozen face

with cavernous eyes and twisted-on nose,

with ears falling off when not listening

to the ground, the dirt, the molten

earth)

Meanwhile, mother’s boyfriend

checking into probation, a public

drunk, nothing more and

nothing to be said

for law’s disguise

when agents hold

the door for him

could be on the chicken — -cutting line

under running time

standing next to

a kitchen hand, a father, at his

other part-time job,

a day laborer laying columns

for a house

for another family

other lives will rest in

no bribes here, only

send change home

from bodega

across border

to a barrio where

abuelos live –

and the millennial kids here

are citizens, the true

remittance.

Part II — The Highway

Rolling down Nogales Highway

to meet a one-legged man swinging a crutch for a buck

Rolling down Nogales Highway

to meet a street vendor deported for overstaying his welcome

Is it a spate, is it a trend, is it the rest of our lives!?

Rolling down Nogales Highway

to meet a blind man singing sweetly in the customs line

Rolling down Nogales Highway

to meet an ex-con running from America for breaking legs again

Is it a spate, is it a trend, is it the rest of our lives!?

Rolling down Nogales Highway

to meet a grandmother hawking blankets with persuasive pity

Rolling down Nogales Highway

to meet a young boy learning the tricks of good salesmanship

Is it a spate, is it a trend, is it the rest of our lives!?

Interlude I

(it was a coincidence that I arrived

on the Arizona-Mexico border the day

after a “national emergency” was declared

by a president swinging for adulation. I’d already

planned to rescue a dropout friend/fiend

on the streets of Phoenix.

Anyways,

that official declaration of invasion

would have been an unwitting admission of fault

had the claims carried factual resonance,

had the rhetoric not looked like a cotton-stuffed wolf

stalking a puppet-stringed boy, but the façade nibbles

on ideological toes and lulls deceivers

with warnings + proclamations that they’re true believers

with calls to prayer + talk of escort deportation

But I

crossed easy into the hysterical sleaze

like some poorly written tragicomedy,

and then seesawed between

a sunbaked land and black winds

moving in as kids sold tart candy,

as open-air cookers suffocated senses,

as pharmacies restocked pills + plastics

and managers made twice-daily/bank-runs

passing by fugitive migrants

from Norte Americano

here to show us

the borderland

is not six-inches wide

but six-feet deep)

Rolling down Nogales Highway

to meet a family kissing through a fence

Rolling down Nogales Highway

to watch a bust for moving people along

Is it a spate, is it a trend, is it the rest of our lives!?

Rolling down Nogales Highway

to watch indigenous cut-up prickly pear cactus

Rolling down Nogales Highway

to count loose change and tally the has-beens

Is it a spate, is it a trend, is it the rest of our lives!?

Part III — The Wall

He used to work for the utility, wild dogs

in the desert wash tightwalking telephone

lines. Between here and Altar Valley

lie dozens of Indian roadside graves,

Catholic converted in name,

shrines to Mary who lost her

virginity in the dragnet,

in a car wreck or maybe

it’s all just a tourist attraction.

Rising from the desert basement

to the mountain green

and sheltered by granite,

a slow trickling stream

over slick gray rock, cutting up

the topography, cutting up

the first migrant family.

Altar Valley, Ariz.

Interlude II

(i traveled so much barenaked, empty, exposed

and wide-flanking broad-open desert, where the O’odham

natives and Latinos and Anglos mix bread and blood, but

what really connected them, the only thing really,

was the land, the dirt and rock and sand and brush.

But for some, a footpath is more than a single track

to get away, a route to power, or two lanes

running parallel, heading in the same direction

but at different speeds, and never daring to cross …)

Rusted slats, a brush to the sky,

smearing synesthetic names

along a snarling horizon

of fumes shimmering like gloss in the heat,

along a borderline sneering

like a birthmark or piercing

on the face of a young one,

and between the inches

a grandmother y nieta

can be seen kissing

under a Coca-Cola sign

next to the currency exchange.

The border porous, wringing

light through graffiti breath

and bleached prayers left

for electric fans to blow away,

but like beauty and ruin

together again

stories are reported of a deportation

stayed, an entry granted, then smugglers

dumping babies just over the line,

and words that are dyed

color after color

when passed along

the wireless line,

the social media check

dancing with time

and thoughts dyed

in coded dreams, each sting of fear

seeping under, over and through

the fence, the border, the wall,

whatever it’s called.

Part IV — That Side of the Border

The taste of the streets boiling

in the heat, food and spit blends

with car exhaust — authentic, you’re told.

The smell is caught in the hand-sewn

orange/and/black blanket I sleep on, it’s caught

in the cathedral where passersby nod

and bow, and sweeps through

the fence slats

to prick the nose

on the American side.

I was chilled in the gray of the faded blacktop streets

under the gray overcast morning sky

with gray sign poles telling me to stop

and gray tree trunks bending to speak.

Flowers shroud the border wall.

Interlude III

(sitting with denizens of tent camps

lining border turnstiles, alone in the talk

I could only make out a few desires at a time,

but the feeling, the dreadful sense of imp/ending death

kept me coming back for the finale — someone gives in

or someone takes over, but the lingering will stop

and the applause will distract

when the calendars flip enough pages –

I just can’t count that high

or yet picture the future. I wonder

if immigrants know how

to live beyond time)

The smell is sweet, it stinks, it smiles

on me and drains to the sea,

an omen for a new beginning,

born of blood, a perfume of

faded love.

The taste is endemic, an artifact,

grabbing ahold of the past

with suffocating smoke,

an aroma you taste but cannot

tame, or wall off, or relate

by word of mouth.

Asleep in the sound

of drinking songs

spinning around

satellites overhead

beaming, slinging

pictures of sticky streets,

of sticky hands

feeding

one another.

Part V — Skirting on Ice

Packed on ice, pulled from the blue crushed

shaved frost — fine obscurity,

finite eternity of belief.

Packed on ice, thrust into the shattering

frozen surf — the winds are insistent,

no distant relief.

Cadence

(indiscriminate discretion

moving in from the north

heading back east and out west

and rising from the deepest south

where it originally nests;

paranoia, mass raids

hysteria, album names,

polleras, hieleras,

the pace is swift

tearing us

no grievance heard

the newsreel spins

the plot unsure

and the river between us

churns the search,

the money,

the chance)

Packed on ice, shipped from the white center

chiseled core — dirtied delivery,

a misery foretold.

Packed on ice, deadened in the falling snow

bitter cooled — the melt is coming,

frigid slumming ground.

Part VI — Exile

I don’t write about these things

anymore. I left my pen at the border

and the newspaper is now a pillow

when I sleep beneath the skyscraper/rented

deadend/streets. But I’m moving. Boxes

taped shut, marked with the names

of its goods. Past. Present. Future.

All my looks over the shoulder

gone. I’m off to another county, or state

of mind, off the hook of curled fingers

calling me their way

from the railroad ties

to the council hall

where I was drowned

in the namechecks and double takes

and some mister who thinks

he has a lead on a story

about the color of blood

inside the body;

but I’m just thinking

about the borderland that shot me

and soaked my sleeves

with migrating memories.

Part VII — The Return

Outro

(they’re bringing in psychologists for

the psychics to work out their problems,

and when the social workers need a therapist,

when the journalist must turn off the TV,

when the ambulance driver needs a refill on gas,

when the heart surgeon paints the vessels black …

that’s when I’m coming back)

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Joshua Silavent
Joshua Silavent

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